Factory Town by Jon Bassoff
‘This here is a town of sin, a town of sadness, a town of
hatred. Every dam person is guilty of something.’
I’m sure we all think about what the moment before death
will be like from time-to-time. I’m hoping that when it’s my turn, my body will
be pumped full of natural hormones and chemicals designed to take as much fear,
pain and anxiety from the process as possible.
For the man who walks into a stranger’s house at the
beginning of Factory Town, his journey into oblivion most certainly isn’t a
pleasant experience. At three minutes to twelve, he puts a bullet in to his
brain. The time is important as it is the device Bassoff uses to help us settle
in to what is about to happen and the book takes a huge leap into a new space.
We meet Russell Carver. Essentially he’s in a living hell.
He’s landed in Factory Town charged with the duty of finding a girl whom he
believes is in imminent danger. All he has to go on to help find her is a small
picture printed from the computer.
As he goes about his search, he walks down one dead end
after another.
Wherever he turns, he arrives in a place populated by the
grotesque. The town is described vividly, as are the characters, and the sense
of darkness and depravity is really powerfully created. It's a bit like the Old Testament, only without God.
The dream-like quality to the piece is superbly crafted. It
allows for unusual events to take place and for sudden shifts in time and
place. The people populating Factory Town are often those who are familiar to
Carver from his life. His school friend, Charlie, pops up to give him a helping
hand of sorts. With friends like Charlie, Carver certainly doesn’t need any enemies,
but unfortunately that’s something he’s not in control of.
Like any dream, however, it always feels real and entirely
plausible when you’re in it, which only adds to the nightmare.
Carver limps from one unpleasant experience to another. He
finds that there are no children in Factory Town. He comes to understand that
The Cowboy is a sinister figure who controls the area. He witnesses the slow
corrosion of the population and infrastructure caused by the factory that is
the centre of it all:
‘Strange things are happening, he said. It’s all because of
the factory. All the chemicals leaking into the town’s hippocampus.’
According to the townsfolk, there are no children in the
town. No children shall be born there by decree. Carver is confused by this
when he meets the torchbearer of hope in the town. He’s a young boy who dresses
as a super-hero called The Annihilator. With his plastic swords he’s out to sort
the world out, no matter how powerful the forces of evil are.
As the book progresses, it becomes clear that recurring
themes are pulling Carver in one direction, which leads him to the truths of
his own life. By the end of the read, we can understand a little about that
life and about the pain and sorrow that abusive relationships can cause and how
such abuse can be passed on from one generation to the next like a family
heirloom.
'You need to let go of my wrist. You don't want to end up like your father, do you?'
There’s so much to like about this book. It’s relentless in
its portrayal of the broken. It has a real raw power in the structure of
sentences and worlds. There’s a gripping need to follow this man on his journey
and as his quest unfolds and the need to understand becomes ever more
pressing. I also thoroughly enjoyed
Bassoff’s trademark style of ignoring speech marks as punctuation; this allows
a flow and power to conversation that is hard to find.
Factory Town is a work of real weight. It has the impact and
a hold that comes with all great books. It’s also sticking around in my head
weeks after reading, which says a lot. It says more that those recollections
still make me shudder.
Tremendous.