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| A Grifter's Song |
So I caught up with
myself recently at the perfect place to talk about teamwork, a hockey game.
Q: Who’s winning?
A: They are, but we’re outnumbered.
Q:
They have more players?
A:
No, it’s us against them and the refs. The calls in this game are brutal so
far.
Q: Yeah, huh? Well, I wanted to ask you about
collaboration. Specifically, the different writers you’ve collaborated with
over the last seven years or so –
A: Save it. I’m on a panel at Left Coast Crime about this same
topic. Just sit in on that. It’ll be fun.
Q: Well, that’s not until March, and it’s in
Vancouver, so….
A: It’s no worries. They’ve got hockey in
Vancouver.
Q: Maybe just a preview?
A: [focused on the game] Come on! Did you see
that? Obvious hooking penalty. Hey, Ref! Check your voicemail! You’ve missed
several calls!
Q: Let’s try this: any of your co-authors like hockey?
A: [waves a hand dismissively] I don’t think so.
Even though there are perfectly good hockey teams right here in Spokane, Colin
Conway is a football fan. Well, a
Cleveland Browns fan. Is that still football?
Q: Technically. I think.
A: Well, then there you go. You know, Colin was
the first writer I ever collaborated with on a novel. We wrote Some
Degree of Murder
way back in 2005. It was finally published in 2012, and Down and Out Books is
re-issuing it in March of this year.
Q: How was that experience?
A: Great. Colin and I are the same wavelength,
but we see things differently enough to bring our own contributions to the
project. Mostly, though, I think what makes our partnership work so well is
that we both subordinate our own ego to what’s best for the book. It’s a team
approach. [points to the ice] Like them.
Q: So just the one book with Colin?
A: Oh, hell no. We’ve got Charlie-316 coming out in June
of 2019. Might be my best book yet. It’s the first of a four-book arc that will
be released each June.
Q: Sounds like a good thing you’ve got going
there.
Q: That’s a great segue, actually, because I
wanted to ask you about that project.
A: [stands and yells something I can’t print]
Q: What happened?
A: Another missed call. They just boarded our
best player.
Q: Boarded?
A: That’s when –
Q: Never mind. A Grifter’s Song?
A: Oh, yeah. Well, it’s a serial novella
anthology featuring a pair of grifters, Sam and Rachel. They are devoted to
each other, but everyone else in the world is up for grabs. They tried to rip
off the Philly mob, so they are on the run from them. Each episode has a
complete story arc to it – a con that gets resolved – but there is also a
meta-arc throughout the entire series.
Q: How long will it be?
A: Two seasons of six episodes each.
Q: You talk about it like it’s a television
show.
A: That’s been our approach. It’s like a short
run Netflix series, something like Ozark.
I wrote the first episode and will write the last one, too. But in between
that, ten other authors will each write an episode apiece. I’m editing.
Q: Who are we talking about here?
Q: And readers just buy whatever episodes they
want?
A: They can. Or they can subscribe to the
season.
Q: This is digital only, right?
A: Just for the initial release dates. Each
episode drops at the first of the month, starting with my own The
Concrete Smile
in January. After the season ends, the stories will be collected into a pair of
paperbacks, too.
Q: So why subscribe?
A: Easy.
Subscribers get a price break that equates to one episode for free,
automated delivery/free shipping, and a subscriber only bonus episode that
takes place between the two seasons.
Q: Where do I sign up?
Q: When you rattled off those names, I noticed a
pattern. Almost every author you’ve collaborated with has an episode of A Grifter’s Song.
A: True. But I think it’s important that we help
each other out in this community.
Q: So you’re helping out your friends?
A: Or they’re helping me. Probably both,
really. Look, in hockey, everyone gets
excited about the goal. But most of the time, the puck does not go into the net
unless a lot of people on the ice make it happen. Sure, there are spectacular
players who make amazing plays once in a while, but other times, it is the
assist that makes the play successful. And that’s not even counting the
important things that people on and off the ice do that never make it on the
score sheet.
Q: You lost me…
A: I’m saying a lot goes into making a book a
success. Yeah, the writer does a lion’s share of the work. But so does an
editor. So does a publisher, and the cover artist, and other authors who blurb,
and reviewers who give an honest review, and readers who talk up the book…you
see what I’m saying? These are like the coaches, athletic therapists, scouts,
GM, mascots, fans…capisce?
Q: Got it. So I noticed Jim Wilsky on the list.
Q: You must like the guy, if you’ve written four
books together.
A: Hate him. But the guy can write.
Q: You hate him?!
A: No, moron. That was a joke. Jim’s awesome.
But I meant it when I said he can write.
Q: Another good experience, I take it?
A: Absolutely. Different is some ways from
working with Colin but that it was a smooth, great time was much the same. Jim
has great ideas, and came up with three of the four titles.
Q: Eric Beetner was in on A Grifter’s Song, too.
A: Yup. That’s ‘cause he’s the hardest working
man in crime fiction.
Q: I don’t know what that means.
A: Go to his website. Follow him on
Twitter. You’ll figure it out. The guy is relentless.
Q: You two wrote the Bricks & Cam Job series
together.
A: Yeah, though we sometimes call it The List
series.
Q: Because…?
Q: I see it now. What was it like working with
Eric?
A: Fast. The man writes at Mach 70 or something.
And the first draft is so clean.
Q: Why do you think that is?
A: He hates to edit. Which makes sense, given
his day job as an editor.
Q: Besides fast, how would you describe your
work with him?
A: Easy. Eric is quite possibly the nicest guy
out there. Strong in his convictions and driven, but still nice. Funny story –
for the longest time, we’d only ever corresponded via email. Something like
four years of that. I used to call him the nicest guy I never met.
Q: You’ve met, though, right?
Q:
That seems more and more common. Long
distance, digital friendships, that is.
A: It is. I’ve not met Jim in person yet. Nor
Larry.
Q: That’s Lawrence Kelter?
A: Yeah. He and I teamed up for a couple of
books.
Q: How’d that happen?
A: We’d crossed paths a few times with different
projects, and he knew I’d done several collaborations before, so he approached
me and we started talking. In my books with Jim and Eric, and Colin, too, at
that point, we’d always used the format of a dual first person narrative with
alternating chapters. Each of us took one of those two characters and
essentially wrote our half of the book that way. But when I told Larry that, he
was like, “Oh, that’s cool, but I don’t want to do it that way.”
Q: What did he want?
Q: Did it work?
A: I was afraid it might not. With two writers
penning the same character in the first person, my concern was that our
different styles would bleed through and the protagonist would seem
schizophrenic.
Q: But he didn’t?
A: No. Mocha’s voice was all his own. Some from
me, some from Larry, and some from the mixing of the two. I think it worked out
that way because we both heavily and mercilessly edited the book, regardless of
who wrote any particular segment. There are large place of the book now where I
couldn’t tell you if I wrote it or just edited.
Q: You did the same for the other book with him?
A: No, for Fallen City, we went with a
third person, ensemble cast. There was no other way to tell the story the way
it needed to be told.
Q: Lawrence Kelter is from New York.
A: He is.
Q: So he’s got to be some kind of a hockey fan.
A: You’d think so. I can’t remember if I asked
him. Hopefully he’s not a Devil’s fan. [puts pitchfork fingers on top of head
and wags tongue] Blah! Devils! Blah!
A: I think so. Larry would know. I think he’s a
big Seinfeld guy.
A: She’s more into outdoor stuff, I’d guess.
Hunting, fishing, camping. [points at a player on the ice] That guy camps, too.
Right in the crease.
Q: The…uh?
A:
The blue paint near the net. Get your
mind out of the gutter.
Q: Well, I read The Trade Off, your book with Bonnie.
There’s some gutter scenes in that one.
A: Give me a break. It’s set against human sex
trafficking. There’s going to be a little bit of sex references in it.
Q: I’m talking about a two-chapter sex scene.
A: Exaggerate much? The sex scene isn’t two full
chapters. It starts near the end of one chapter and finishes at the beginning
of the next.
Q: Well, it’s pretty graphic all the same.
A: What’re you, the FCC? Besides, it wasn’t just
sex for the sake of sex. It was important for both characters.
Q: If you say so.
A: I do. [smiles evilly] You want something to really freak out about? [thumbs toward
self] I wrote the female character in
that one, and Bonnie wrote the male.
Q: That seems…different.
A: I like trying different things. Maybe it
sounds pretentious, but that’s how you grow your art. Writing from a female
perspective in the first person is one way. The format of A Grifter’s Song is another. Trying new things is how we challenge
ourselves.
Q: Why isn’t Bonnie on the roster for A Grifter’s Song?
A: The
Trade Off was her one foray into crime fiction. She writes westerns,
romance, and post-apocalyptic stuff. You should check it out.
Q: What’s on the – [buzzer sounds] Wait, what was that?
A: Intermission.
A: Don’t make me punch you. [stands]
Q:
Where are you going?
A: Bathroom, beer, and bopping around to say hey
to other hockey friends here at the game. You wanna come along?
Q: No, I think I’ve got enough. Just one last
thing – what’s next for you?
Q: Like?
A: A fantasy novel, for one. And a mainstream,
sorta literary, musical novel.
Q: That sounds interesting. Tell me about –
A: I gotta go, man.
Q: Just a few more questions.
A: No, I gotta go, as in numero uno?
Q: Oh, okay. Thanks for the interview, Frank
A: Catch you further on up the road. [Exits.
Rapidly]
