“Progress,” Ronald said. “That’s all there is any more.”
It's the thirteenth of the month again. That can only mean another release from the Number Thirteen machine. Their latest, Redbone (US), is another treat for us all.
Calvin G Redbone’s days all start the same way. About the
most variety he finds is in the volume of bourbon he pours into his coffee or
in the country tunes that play on his radio. Of course, as soon as we know that
everything’s always the same, we also know that things are about to change
forever.
Redbone’s day is a disaster. It opens with the death of his
best friend, Mister. If that weren’t enough to knock him off balance, he loses
his job at the used car lot and there’s a guy sniffing around the old drive in
cinema that Redbone holds so dear. It’s the kind of day that’s would to drive
anyone to unravel a little. Unfortunately for Redbone, he’s wound tight. When
he starts to crack there’s a huge power to the internal weight he’s been
carrying about with him since his time in the army and there’s not much his
external shell can do to contain it. He’s living in a world that seems to have
lost touch with basic values and he’s about to make a stand.
What makes this book work so well for me is the way Redbone
accepts his situation. He knows what he has to do and why and that’s enough for
him. He’s been a victim long enough and it’s time to take a stand. Even when
those close to him try to warn him off his course and even when the world
finally seems to give him a break, he sticks to it all the way and make sure he
works things through to the very end. What he has to do is too important to
think of himself only – it’s not just those who’ve offended him that he’s
taking on, it’s the whole system.
The conclusion seems inevitable, but the writer manages to
keep up the tension throughout by leaving open the question of how far Redbone
will take things until the very end.
I found this a really good fit for me. I like the way that
Redbone interacts with the world and really enjoyed some of the interplay
between him and the other characters on the trailer park, especially the
luscious Marnie and the teenage football player Ricky Fife, who allow
reminiscences and reflections which serve to intensify the material.
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