“The drugs trade is like any other, full of office politics
and juicy gossip. All you need to do is find the right office junior and apply
pressure.”
Old Gold (US) tells the story of Eoin Miller who is doing his
best to get through life without emotional entanglement of any kind.
He’s working for the Mann brothers, the heads of one of the
major firms running the area and has just completed a job for them when
introduced. To celebrate, he goes for a drink or two in his local and is picked
up by an attractive drifter of a woman, Mary, who has taken something very
important from her boyfriend and with whom Eoin’s about to spend the night. He
wakes up to find that the woman is dead and that someone has gone to a lot of
effort to make it look like he’s the killer.
Eoin’s first instinct is to listen to his dad’s advice – to
get the hell out of there – based upon the fact that with his Romani blood no
one is ever going to give him the benefit of the doubt. He takes to the road
and eventually realises that he needs to do something other than surrender.
When he returns to his house, he finds the body gone and no evidence that
anything is untoward.
His point of attack is to find out what happened to Mary. To
track down the killer and find out how he can get out of a difficult situation.
Early links lead him to a new drugs peddler on the block, a
Pole who is keen to work the angles and exploit any gaps between the main two
gangs in the area. He starts poking sticks in places where they’re not welcome
and it’s not long before he’s in an awful lot of trouble.
Add to this a missing person inquiry that the police have
dropped due to the sensitive nature of the case and the fact that his estranged
wife has been promoted in the force and you have a multi-layered novel to roam
in.
I thoroughly enjoyed Old Gold and that’s from start to
finish.
Eoin tells the story in the first person and that really
works well. He’s a pleasure to get to know – a self-destructive investigator
with a real life and real problems.
What I think I particularly enjoyed is the subtlety of the
writing. Nothing is overblown. Everything comes in the right measure. The pace
is terrific, constantly building yet never rushing to get to the end. The hoods
are very well-formed, but are far from being caricatures. The hard-boiled
swipes are there, but are more like body-softening jabs than knockout punches.
The Midlands works superbly as a backdrop, as a place that is at once familiar
and new. Nothing is crammed into the
plot for its own sake – everything, including the denouement, works
effortlessly. Eoin is complex and interesting, but his facets are introduced
and explored gradually rather than in one big bang. There’s also a gentle
exploration of a range of issues relating to gender, race, inequality and
politics that provide plenty of food for thought (the label I’ve seen given to
the book is ‘social pulp’ and that goes some way to covering it).
Above all this is fine fiction, entertaining and thrilling.
It’s a book I didn’t want to put down for too long once I’d started and I’ll
certainly be reading more in the series. Very good indeed.
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