“The Socs were trying to look poor. They wore
old jeans and shirts with the shirttails out, just like the greasers always had
because they couldn’t afford anything else. I’ll tell you one thing, though:
what with fringed leather vests and Levis with classy-store labels in them,
those kids were spending as much money to look poor as they used to to look
rich.”
I’d been saving That
Was Then, This Is Now to read on a rainy day. Not a day when it rained
on the outside, but when I needed a lift. I finally opened the cover last
weekend on a train journey down to see my dad. Returning to the place where I
did my own growing up made it an appropriate choice and it was definitely the
right one. Truth be told, I reckon any day’s a good day for reading a book by
SE Hinton.
Bryon and Mark have lived together since Mark’s parents
killed each other. They’ve become like brothers. They get a buzz from girls,
pool hustling, joyriding and fighting. The world is ripe with possibility and
yet limited by their social status and environment. We get to know them at a
time when things are changing. Nothing is quite the way it was. Everything
seems more serious and many of the activities that were fun for them once have
become dull. At the same time as life becomes rich and thrilling, the cracks appear
everywhere.
Tough things happen. Their part of town is brutal. Without
going into huge detail, the book managed to capture hard and mean moments in a
very satisfying way. Each episode grabs the senses and forces you to pay
attention.
I can’t put my finger on why exactly I found this read to be
so moving and absorbing, especially when it’s aimed at young-adults and when
the prose is so straightforward.
It might be that it does such an excellent job of capturing
a moment of change, a watershed between one life and another. To me, it doesn’t
just speak of the movement from teenager to young adulthood, but holds a mirror
up to all the times in life when skins are shed. It carries the weight of
nostalgia, a hint of resignation and an unsteady optimism for things to come.
It could also be that the strength of the characters and
their relationships are a key to this novel’s power. The first person narration
brings and intensity of feeling that works superbly. What Hinton does for me is
to reach inside. She allows me to feel something more than empathy. It’s almost
as though she’s creating a new identity for me as I read. A new history. That
depth is not even pinned down to one person, but to all the central figures in
the story.
The tone and structure also work with ease. The voice is
reflective and yet in the moment. All the life and times that are building up
come with a warning early on that they won’t last forever. Something’s going to
shake their world to the core and that tension slowly burns from beginning to
end while we await the final nail in the coffin to be smacked home.
Hinton writes in a very simple way. The sentences are never
complex and the language is often plain. That said, she creates distilled phrases
that deliver an emotional punch incredibly well (‘Nothing can wear you out like
caring about people.’). These moments are the jewels in the crown for me, the
points at which she tells it all with a slight action or subtle reference.
All in all, this was just the treat I’d been hoping for. It’s
the kind of book that I hope rubs off somewhere in my own writing style and if
I ever get to put out a novel that’s half as good as this, I’ll be a very happy
man.
Ace.
Nige, that was one of the best books I ever read as a kid and am very happy to see it's back in print. The way the relationship between the two boys is portrayed is utterly disarming… well, it seemed that way when I was 12… am looking forward to ordering myself a copy and rereading now I'm 40! Thanks x x
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ReplyDeleteAli, that's the thing. You loved it at 12 and that makes me wonder why I'm so in awe of it. Is it my brain that's immature or is it simply a piece of brilliance?
ReplyDeleteIn my mind it is a piece of brilliance!
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