One Man's Opinion: WHERE THE BONES LIE by NICK KOLAKOWSKI

I was really pleased to get an ARC of Where The Bones Lie by Nick Kolakowski. It's a story that will be familiar to many a fan of vintage noir, more specifically to the Private Eye of the Hollywood variety. It shares many of the tropes that might be expected in the genre and manages to provide hommage to what has gone before while carving out something fresh and new. 

Dash Fuller is falling flat on the comedy circuit while attempting to create a new and clean life for himself, when up pops an old acquaintance. Manny is a high-end lowlife fixer who will sort out the complications of studios and those involved in the celebrity industry if they're prepared to pay him enough. 

Dash is flat broke and is in no position to say no. In spite of his better judgement, he sets out in search of a couple of big players who have disappeared off the radar to carry on their bizarre lifestyle. 

Almost in parallel to this, a young woman is desperate to find out what happened to her father, a shady dude who disappeared many years earlier and whose body has recently been found in a lake after the water level dropped significanlty. She enlists Dash's help and off they go to try and unlock the skeletons from their closet. 

The cases allow us an insight into a fascinating world that provides a great backdrop against which the book unfolds. 

The good news is that it's a tense and fun read that will entertain anyone who likes a complex PI story where layers are stripped off painfully until all that's left are the bare bones of the truth. 

The better news, at least in my opinion, is that there may well be more to come. It definitely feels like a series opener and I think that it's likely that the next tale will be even stronger and richer - Dash Fuller is someone who is deep and will take some getting to know and I have a sense that the more of him that is revealed, the more we're going to want to stick around.

Go check it out. 
 

One Man's Opinion: A VIEW FROM THE BRIDGE by ARTHUR MILLER

 

It seemed apt to pick this from my shelves this week, what with the return of Donald Trump to the White House. All that negative talk about immigration and questions regarding the right to become a citizen if born to in the States is rather depressing. I wish I could see a positive side to all of this; I think that the only thing I can find is that I'm far away from it, something I'm jolly grateful for. 

The United States, that melting pot of the world's cultures, seems to have a patchy record when it comes to who is allowed to visit/live or not. Clearly the 1950s Miller writes about here was another period where the arrival for those seeking a new life without permission was a very big deal. 

Eddie Carbone works down at the waterfront in Red Hook. He's a simple man who works hard and takes advantage of the benefits of unloading cargo from on occasion. He lives in a small apartment with his wife and his neice, a young girl who is quickly turning into a woman. We see from early on that Eddie's relationship with his neice, Catherine, is odd. While wanting to control the women in his life, she's able to get away with things if she plays her cards right and if her aunt pulls some strings. 

Catherine's already on the verge of moving out from the family setting. She's been offered a job a little way from their home and is keen to leave school to take it. Eddie is struggling with the idea that she might grow away from them and puts his foot down hard. 

Entering the picture are two of his wife's cousins, Maro and Rodolpho. They enter the country illegaly from Italy, Marco to support his family and Rodolpho to start a new life. They  bring with them a strong sense of pride and in their traditional values as well as a host of problems for Eddie. Putting up illegal immigrants is a crime in terms of the law, grassing up those who have the courage to house them is a crime in terms of the community. 

It's not a spoiler to say that it's all going to unravel in an unpleasant way. Eddie's lawyer offers a narration that offers a sense of foreboding. The two brothers rock the boat more that it can stand and the world of the Carbone family is clearly going to sink fast unless someone can intervene. 

It's incredible to me that such an intricate and gripping tale can be told in this short a space of time. Stage directions and acting notes make everything vividly clear, but the dialogue constanlty accelerates to plot to it's next stages. 

A View From The Bridge is a really good read. I've never seen it on the stage, but if it comes to town I'll be at the head of the queue for tickets. 

One Man's Opinion: IF BEALE STREET COULD TALK by JAMES BALDWIN

 

I love it when a novel really ramps up the emotions. If Beale Street Could Talk does that in so many different ways. It's constantly nipping away at your insides as you read, then takes out huge chunks with bites that will no doubt leave permanent scars (or at least I hope they do, given the stories told). 

This one pulls in so many different ways. And it doesn't pull its punches. 

Fonny and Tish are young lovers. Early on, we discover that Tish is pregnant with Fonny's child and that Fonny is currently behind bars, charged with the rape of a woman in the neighbourhood. Much as the struggle to get Fonny out of prison is the core of the plot, the stories that emanate from that centre are diverse:we get to examine both sets of families and their reactions to what is going on; we find out about how the couple got together in the first place and how the baby is conceived; we discover things about the community, warts and all; and we get to observe friendships and social tensions. No matter which way the slice is cut, there are overriding pressures that influence everything. The racism is intense, visceral and overpowering, the surges against it almost futile (there's something in the fight that reminded me of Ellison's Invisible Man, a reference that tells you that I need to read more widely). There's religious bigotry and digs at religious fundamentalism. It has homophobia and sexism. Institutionalised prejudice takes a kicking and economic exploitation is clearly on display. Also included is domestic violence, doled out by heavy-handed men on their wives. And all of this is important, for it's only by drawing attention to each of these facets that thinking can be done and changes made, for this is very much a book about rising up against oppression and injustice wherever it may be found.  

I thoroughly enjoyed this one, though it wasn't all plain sailing. There's a real mix of time and place and it occasionally took me a moment to readjust and work out where I was. The tenses and voice occasionally stumbled, perhaps because they were trying to run too fast at times. There are also a lot of commas and that sometimes got in the way. That being said, I always found the groove again, partly because I was so driven to get to whereever it was going. 

If Beale Street Could Talk has the passion of the best love stories, the tension of the finest crime dramas and all the anger and turbulence that it needs. 

Definitely one to get your hands on and digest. Quality stuff.

One Man's Opinion: HEAT by ED McBAIN

 

I started to read a different book last week and barely made it through the first chapter. I'm not going to mention what it was, but can say that there were several blurbs heaping high praise on the work telling me that it was the best crime fiction of the year and that kind of thing. It really wasn't. It may be that the authors really believed that it was of very high quality, but I find it difficult to believe, so please oh important writers, don't just say nice things about a book because it's your mate or because it's published by one of your stable mates - that kind of thing is happening far too often. 

After that let down, Heat was an utter triumph. It's not perfect, but the bulk of it is gripping, tense and gets the grey matter working. 

It's formed of four parts though, in truth, there need only be three. 

Strand one is the main case of the day, the apparent suicide where the fact that the central heating has been loft off during a heatwave makes Carella suspicious. It's a Columboesque situation where the niggle grows even though the available evidence suggests all is plain sailing. The delay of various pieces of information is a tad contrived, but keeps us and the detectives on tiptoes. 

More engaging that strand one is strand two. Kling, between his shifts, is working his own investigation, that of a possible case of infidelity by his beautiful wife. He does try to take Carella's advice about how to deal with the situation, but in the end he is unable to react in a calm and sensible way. This one rolls nicely through to the end and is work the book price all on its own. 

Strand three, an ex con seeks revenge on Kling and buys the mother of all handguns to blow him away. The guy's a racist thug whose line of thinking should remind us all that the world can and needs to be be a better place. 

Strand four, I have no idea about. The rest of the squad are planning a drugs bust. There's a lot of huffing and puffing, but it just gets in the way. Thankfully, this doesn't take up much time, so it's not all bad news, but it puts a spanner into a read which would otherwise be superb. 

Heat is right up there for me in the 87th series, in spite of that drugs bust nonsense. A real nail-biter that accelerates all the way to the end and left me breathless. 

Great work.